ABOUT
About
Masthead
CONTACT
Talent Openings
DONATE
SUBMISSIONS
Fiction
Through the Woods by Jiang Yitan, translated by R. Orion Martin
‘I Am Afraid’ by Michelle Chan
‘Oh Canada!’ by Caiming Yang
Call for Submissions: Celebrate
‘TFW’ by Steven Chua
Poetry
‘Crowding’ by Peyton Bechard
‘Still Green’ by Charlotte Zhang
‘family dinner, 7:02pm’ by Esther Chen
‘Mind Expansion’ by Frances Du
‘cremation’ by Jody Chan
Reviews
Preview: Project Gelb at Vancouver Queer Film Festival 2017
Review: “In Sundry Languages,” and multilingualism
Book Review: ‘a place called No Homeland’ by Kai Cheng Thom
“There Is Need to Tell: A Reader’s Response to Julia Lin’s novel Miah” by Anna Wang Yuan
“You have to deal with people while they’re alive”: Review of ‘After the Storm’
Profiles
The Many Lives of Henry Young (Part Three)
Chinese Canadian Literature In the Asian Canadian Canon – An Interview with Laifong Leung
The Early Beginnings of Henry Young’s Music Career (Part Two)
More Untold Stories from Vancouver’s Chinatown: Musician Henry Young (Part One)
Food & the City No. 3 – Barn Nork
Interviews
Interview with Alice Poon, author of The Green Phoenix
[PODCAST] The Post-Travel Show, Episode 8/9 – Phnom Penh, Cambodia
Coming To You: Vancouver Queer Film Festival 2017
Interview with Eye Bender’s Victor Yong
Review: “In Sundry Languages,” and multilingualism
Opinions
‘Guide to Canadian Urban Wildlife’ by Vincent Ternida
‘Ceremonies’ by Kelsey Inouye
In Calgary
‘On Consuming Ethnicity: Cultural Performance in Far2Fresh Foodmart’ by Kylie Tan
Garden Afternoons
Events
Coming To You: Vancouver Queer Film Festival 2017
Preview: Project Gelb at Vancouver Queer Film Festival 2017
Review: “In Sundry Languages,” and multilingualism
Terminus/Gateway Cities: Pacific Crossings and Retainers of Anarchy at the Vancouver Art Gallery
TIFF Dispatch: Interview with Kore-eda Hirokazu on After the Storm
FUNDRAISER to support our new anthology!
Currents: A Ricepaper Anthology
ABOUT
About
Masthead
CONTACT
Talent Openings
DONATE
SUBMISSIONS
Fiction
Through the Woods by Jiang Yitan, translated by R. Orion Martin
‘I Am Afraid’ by Michelle Chan
‘Oh Canada!’ by Caiming Yang
Call for Submissions: Celebrate
‘TFW’ by Steven Chua
Poetry
‘Crowding’ by Peyton Bechard
‘Still Green’ by Charlotte Zhang
‘family dinner, 7:02pm’ by Esther Chen
‘Mind Expansion’ by Frances Du
‘cremation’ by Jody Chan
Reviews
Preview: Project Gelb at Vancouver Queer Film Festival 2017
Review: “In Sundry Languages,” and multilingualism
Book Review: ‘a place called No Homeland’ by Kai Cheng Thom
“There Is Need to Tell: A Reader’s Response to Julia Lin’s novel Miah” by Anna Wang Yuan
“You have to deal with people while they’re alive”: Review of ‘After the Storm’
Profiles
The Many Lives of Henry Young (Part Three)
Chinese Canadian Literature In the Asian Canadian Canon – An Interview with Laifong Leung
The Early Beginnings of Henry Young’s Music Career (Part Two)
More Untold Stories from Vancouver’s Chinatown: Musician Henry Young (Part One)
Food & the City No. 3 – Barn Nork
Interviews
Interview with Alice Poon, author of The Green Phoenix
[PODCAST] The Post-Travel Show, Episode 8/9 – Phnom Penh, Cambodia
Coming To You: Vancouver Queer Film Festival 2017
Interview with Eye Bender’s Victor Yong
Review: “In Sundry Languages,” and multilingualism
Opinions
‘Guide to Canadian Urban Wildlife’ by Vincent Ternida
‘Ceremonies’ by Kelsey Inouye
In Calgary
‘On Consuming Ethnicity: Cultural Performance in Far2Fresh Foodmart’ by Kylie Tan
Garden Afternoons
Events
Coming To You: Vancouver Queer Film Festival 2017
Preview: Project Gelb at Vancouver Queer Film Festival 2017
Review: “In Sundry Languages,” and multilingualism
Terminus/Gateway Cities: Pacific Crossings and Retainers of Anarchy at the Vancouver Art Gallery
TIFF Dispatch: Interview with Kore-eda Hirokazu on After the Storm
Tag
Like Father Like Son
Blogs
TIFF Dispatch: Kore-eda Hirokazu’s Like Father, Like Son
6 September, 2013
