I trace my grandfather’s hands across the atlas he never owned, each river a scar, each ridge a fist. He speaks in gestures I barely know: the curl of a …
Slideshow Feature
steam, salt, pink crabs on their backs grandpa sucks the spit through his teeth splits the belly open drinks from the shell, announces this delicacy loud enough to reach the …
Ricepaper’s Executive Editor and multi-genre writer, Allan Cho, interviews PP Wong, author of the new novel, Slice the Water. A dystopian thriller, a speculative fiction, and a coming-of-age story, Slice …
In our latest TalkRice podcast, contributor Gavin Hee sits down with Ricepaper Literary Editor, Jinwoo Park, to scratch the surface of just some of the many layers to his novel, …
The other day, my friend sent me a video. Two creators known to portray black and white swans of a coin. In the video, they cheekily look at each other, …
We are now accepting submissions for our upcoming issue centred around the theme of anger—that raw, electric force that simmers beneath the surface or erupts without warning. Whether it’s a …
“You look just like him,” my Tita said as the bass of a jeering crowd from the Sunday night football game boomed behind her, echoing into the wooden
Jennifer Chiu, a Vancouver Hakka-Canadian filmmaker, traces her family’s past in Kolkata, India and explores the impact of migration on identity, family, and cultural preservation in Clan of the Painted Lady. …
in the garden with you dirt, food tell me what I can eat make that funny whistle sound with a leaf on rainy days we watch the storm from the …
A girl stands next to her father, holding a spinning compass in a dark tunnel.
She spots a light ahead and points to it. They move toward it, slow, uncertain.