She couldn’t sleep. It had been a horrible day. A day that felt like it was going out of its way to tell her that she wasn’t right for the …
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Ricepaper Magazine
In the second part of our interview with Shelly Kraicer, we discuss changes in the reception of Chinese cinema, the chilling effect of censorship and the growth of commercial cinema, …
☜ Part 1 I got a fire in my stomach. I was now a white woman, so I decided to put that to the test. I felt inspired to go …
In the end, the chair has lost its owner. The chair grinds out bad cells, the wind on the chair is caught in the throat as it takes …
Komla Begum strode with great purpose down the aisles of the grocery store. Every footfall was audible and every step was a huff. She was angry that her daughter had …
the radio producers dilemma driving my derelict mazda home after a shift visors down to keep the electric sky from crashing my car its 1246 and i …
speaking in tongues misinterpretation ghosts-back, attempts to reincarnate the broken language of Jaden’s tongue-twist reverberation— murmur the revenant-named co bac mispronounce it twice as fast go back diaspora synth-talk— …
I woke up and hit the snooze button on my phone again. Why do I set alarms if I don’t even get up? I didn’t have anything to get up …
A long-time Beijing resident (only recently relocated to Toronto by way of Taiwan) for the past decade, Shelly Kraicer has been the programmer of East Asian films for the Vancouver International …
Lenora Chu, a renowned Chinese-American journalist, is a daughter of Taiwanese immigrants who moved to America. In contrast, Chu decided to move to Shanghai to raise her three-year-old son using …