You were the Sawdust Boy. That’s what everybody called you back when there were no electric stoves in the village. Elderly women making bets with their husbands’ cigarette money on …
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She couldn’t sleep. It had been a horrible day. A day that felt like it was going out of its way to tell her that she wasn’t right for the …
In the second part of our interview with Shelly Kraicer, we discuss changes in the reception of Chinese cinema, the chilling effect of censorship and the growth of commercial cinema, …
☜ Part 1 I got a fire in my stomach. I was now a white woman, so I decided to put that to the test. I felt inspired to go …
In the end, the chair has lost its owner. The chair grinds out bad cells, the wind on the chair is caught in the throat as it takes …
Komla Begum strode with great purpose down the aisles of the grocery store. Every footfall was audible and every step was a huff. She was angry that her daughter had …
the radio producers dilemma driving my derelict mazda home after a shift visors down to keep the electric sky from crashing my car its 1246 and i …
speaking in tongues misinterpretation ghosts-back, attempts to reincarnate the broken language of Jaden’s tongue-twist reverberation— murmur the revenant-named co bac mispronounce it twice as fast go back diaspora synth-talk— …
I woke up and hit the snooze button on my phone again. Why do I set alarms if I don’t even get up? I didn’t have anything to get up …
A long-time Beijing resident (only recently relocated to Toronto by way of Taiwan) for the past decade, Shelly Kraicer has been the programmer of East Asian films for the Vancouver International …