Chikaura Kei’s confident debut feature is the story of a Chinese economic migrant whose shaky existence begins to unravel after a string of deceits and crimes he has committed to support his new life in Japan starts to catch up … more »
Full spoilers ahead.
If there was any doubt about what kind of genre Murakami Haruki’s 1983 short story Barn Burning is, writer-director Lee Chang-Dong has called it by adapting the tale as a well-behaved arthouse thriller complete with revenge and … more »
Ash is Purest White (Jia Zhangke, China/France 2018)
Since his mid-career lane switch in 2013, Jia Zhangke has ditched the sluggish arthouse gloom that made him a brand in favour of speedier genre exploits to stay relevant. Still intact … more »
Graves Without a Name (Panh Rithy, Cambodia/France 2018)
Panh Rithy’s latest documentary in his stable of Cambodia-centric films ranks as one of his saddest titles within his lifetime’s duty to document critical aspects of the Khmer Rouge’s genocidal reign during … more »
When a British newspaper interviewing Kore-eda Hirokazu in 2015 asked how he felt about his signature family dramas often being compared to those of the late Ozu Yasujiro, the respected Japanese director countered that he thought his films were more … more »
Running 6-16 September 2018, the Toronto International Film Festival’s 43rd edition offers a stunningly diminished number of Asian feature films—the fewest in at least the last several years. Although market vagaries and audience metrics may have conspired toward this … more »
Sherren Lee is a Toronto-based, Taiwanese director who graduated with a Bachelor of Commerce from McGill University and is an alumna of the Directors’ Lab at Norman Jewison’s Canadian Film Centre.
Her short film, The Things You Think I’m Thinking… more »